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Come of age in the credit crunch. Be civil in a hostile environment. Go to college, get an education, start a career. Do all the right things. Buy a flat. Buy art. Buy a sort of happiness. But above all, keep your head down. Keep quiet. And keep going.
The narrator of Assembly is a black British woman. She is preparing to attend a lavish garden party at her boyfriend’s family estate, set deep in the English countryside. At the same time, she is considering the carefully assembled pieces of herself. As the minutes tick down and the future beckons, she can’t escape the question: is it time to take it all apart?
Assembly is a story about the stories we live within – those of race and class, safety and freedom, winners and losers. And it is about one woman daring to take control of her own story, even at the cost of her life. With a steely, unfaltering gaze, Natasha Brown dismantles the mythology of whiteness, lining up the debris in a neat row and walking away.
This stunning novel holds no punches and takes no prisoners with its forensic examination of British history, capitalism, colonialism, misogyny, racism and slavery.
It is a short book whose narrative is told through a fragmented form of prose and it gives it such a powerful quality. In essence, she’s succumbing to a lifetime of internal and external pressure to conform, excel, and take advantage of the opportunities that were denied her ancestors. Compound this angst with subtle microaggressions in and out of the workplace, the daily headlines steeped in racism and xenophobia (nationally and globally), and the burden of fulfilling a “superwoman” type of role model – one she didn’t ask for and no longer wants to play. In totality, all of this has left her exhausted and a bit apathetic. She is the corporation’s “living proof” of diversity and feels guilty perpetuating the “be best, work hard, etc.” propaganda to the next generation. She thinks, “Best case: those children grow up, assimilate, get jobs and pour money into a government that forever tells them they are not British
While this is a work of contemporary fiction, the narrator’s observations and critiques are timely and spot on. I highlighted many passages throughout this short novel because her reflections on race, assimilation, acceptance, British nationalism, classism, corporate politics really made me stop and think and those thoughts will linger with me for a long time. A real feat of fiction, Well done! 5 stars