It’s Holy Week in the small town of Las Penas, New Mexico, and thirty-three-year-old unemployed Amadeo Padilla has been given the part of Jesus in the Good Friday procession. He is preparing feverishly for this role when his fifteen-year-old daughter Angel shows up pregnant on his doorstep and disrupts his plans for personal redemption. With weeks to go until her due date, tough, ebullient Angel has fled her mother’s house, setting her life on a startling new path.
Vivid, tender, funny, and beautifully rendered, The Five Wounds spans the baby’s first year as five generations of the Padilla family converge: Amadeo’s mother, Yolanda, reeling from a recent discovery; Angel’s mother, Marissa, whom Angel isn’t speaking to; and disapproving Tíve, Yolanda’s uncle and keeper of the family’s history. Each brings expectations that Amadeo, who often solves his problems with a beer in his hand, doesn’t think he can live up to.
The Five Wounds – which refer to the five wounds of Christ – takes place during Holy Week in New Mexico, where a religious brotherhood called the Hermanos Penitentes recreate the crucifixion. Amadeo Padilla is a most unlikely Jesus, who has experienced the five wounds of the soul, including rejection, betrayal, and humiliation. His young and immensely pregnant teenage daughter, Angel, whom he deserted as a child, arrives at his door as he prepares feverishly for the role.
The story is beautifully powerful and the author has really filled out her story with wonderful narrative and introduced us to characters so raw and real that they stayed with me long after I finished the book.
The theme is love both as a wonderful thing and an intense challenge and this is evident in the presentation on Angel’s baby who is both a happy baby who brings joy but also presents with a fair share of challenges in more ways than one.
I adored this book, I adored the writing, I adored the characters and their gritty authenticity tried to slow down but I just could not stop reading. 5 stars
In the cold, wet summer of 1960, 11-year-old Joy Henderson lives in constant fear of her father. She tries to make him happy but, as he keeps reminding her, she is nothing but a filthy sinner destined for Hell . . .Yet, decades later, she returns to the family’s farm to nurse him on his death bed. To her surprise, her ‘perfect’ sister Ruth is also there, whispering dark words, urging revenge.
Then the day after their father finally confesses to a despicable crime, Joy finds him dead – with a belt pulled tight around his neck . . .
For Senior Constable Alex Shepherd, investigating George’s murder revives memories of an unsolved case still haunting him since that strange summer of 1960: the disappearance of nine-year-old Wendy Boscombe.
As seemingly impossible facts surface about the Henderson’s – from the past and the present – Shepherd suspects that Joy is pulling him into an intricate web of lies and that Wendy’s disappearance is the key to the bizarre truth.
The Silent Listener is the first novel by Australian editor and author, Lyn Yeowart. George Henderson, a respected member of the Blackhunt community, is dead. His daughter, Joy, called back after a seventeen-year absence to care for her dying father, might be expected to grieve, but does not. Senior Constable Alex Shepherd, summoned to the scene by George’s doctor, is suspicious: did Joy murder her father? If so, why?
In 1942, after a very short courtship, Gwen marries George Henderson and is brought to his newly-purchased dairy farm at Blackhunt in rural Victoria. From his detailed instructions, his rigid rules, his tight control of every aspect of her life, and his physical abuse, Gwen understands that this marriage will never be what she had expected.
Having no alternative, Gwen works hard to keep George happy and seeks refuge in her chooks and her flowers and the tiny room where she makes bouquets and wreaths to earn a few pounds. Within a decade, Gwen has given birth to a son, Mark, and two daughters, Ruth and Joy. She tries to protect them, but without a clear example of mothering in her own life, is less than successful.
Her children grow up learning to fear their father’s mercurial moods, which might deteriorate from the amount of rain that falls or the size of the butter factory cheque or the vet’s bill, or the perceived breaking of one of his countless arbitrary rules; they live in constant fear of the corporal punishment he seems to relish in dishing out to his “dirty, filthy sinners who are going to rot in Hell”.
George is a pillar of the community: An Elder of the Church, active in Rotary, a member of the High School PTA, the Fire Brigade, and the Shire Council committee, always helpful to neighbours, loved and lauded by all. When nine-year-old Wendy Boscombe goes missing two days after Christmas in 1960, no one in the town of Blackhunt could imagine he would have anything to do with it. But Wendy is never found, and Alex Shepherd is plagued by his failure to find her.
The story plays out over three time periods and is told from three perspectives. Readers are likely to wonder from the start about reliability of Joy’s narrative, and will feel vindicated about certain aspects as the facts are revealed, but there are still plenty of red herrings, distractions and twists to keep the pages turning.
The building tension in the story is sometimes relieved by neighbour Robert Larsen’s amusing word confusions (fire distinguisher, a quick trump call, obliviously, a fine lemming meringue pie), Joy’s insidious little acts of revenge, her musings about God, and the images and feelings that certain words convey to her. The easy acceptance of Gwen’s search of the Death Notices for “good ones” highlights the distortion of normality in this family.
Yeowart’s portrayal of setting and era are faultless, and the mindset of this small Australian rural community in each of the time periods is likely to strike a chord with many. Her character development is particularly skilful, and her depiction of coercive control is chilling. Her cop, if tenacious, is not terribly clever, but he does get there in the end. This is a slow burn thriller that richly rewards the reader’s patience. 4 stars.
fictionvixenreads 